Showing posts with label Laugh-In. Show all posts
Showing posts with label Laugh-In. Show all posts

Sunday, 29 April 2012

390: Anita Bryant 6 - Across the Dials

A few more spot gags from the time, with references to “Fruits”, “Fairies”, “Queens”, and an implied “Queer” (as a three dollar bill).

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Johnny Carson:
(as Carnac the Magnificent giving predictions to questions)

Answer: 13 Queens Boulevard.
Question: Name an address Anita Bryant will never have.

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Bette Davis on “Laugh-In” - September 5 1977:

“Anita Bryant has won her court suit to force Florida orange growers to cover their navels and quit pinching the fruit. The fruit was not available for comment.”

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Frank Sinatra at Dean Martin Roast – 7 February 1978

“I love Dean Martin and if that upsets Anita Bryant then so be it.”

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The Unknown Comic on “The Redd Foxx Comedy Hour” late 1977 /early 1978

“Anita Bryant drove her car across a river yesterday, yeah she didn't want to take a ferry (pronounced: fairy)."

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Playboy - November 1977:

“The Treasury are considering introducing a three dollar bill bearing Anita Bryant’s face.”

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Saturday Night Live Newsdesk Update:

1. Anita Bryant, former mediocre actress and orange juice promoter, performed coitus in public yesterday, and campaigned to promote heterosexuality. She and her husband assumed the missionary position for two minutes, then announced she is a citrusexual. (April 9th, 1977)

2. A report from Florida states that Anita Bryant plans to undergo a sex-change operation this Spring. The exact date will not be set until the popular TV personality decides which sex to change to. More on this story as it develops. (February 26th, 1977)

3. (after Bryant was hit in the face with a pie by a gay activist) Fortunately, Ms. Bryant, who was not injured, enjoyed a good laugh, and said it was okay if the assailant dated her husband.(October 15th, 1977)

Saturday, 28 April 2012

389: Anita Bryant 5 – Laugh-In

A September 5 1977 “Laugh-In” special mocked Anita Bryant. One of the sketches featured four Miami cops (one played by a young, then-unknown Robin Williams) changing into drag, singing "I Enjoy Being a Girl" and finishing by declaring, "We love you, Anita!”

Cops in drag may not be a terribly enlightened view of gay men. But the n the point of the sketch is to taunt Anita. Swishing it up to irritate the homophobes. Whatever you say gay men are, then that’s what we’ll pretend to be times two. As satire it’s in the in the category, of “You hate gays. Look, here’s some gays. Bet that sure winds you up! Ha ha – ha ha!”

Bryant seems to have been stung by this sketch as she revisits her resentment at Laugh-in’s treatment of her in her autobiography. Certainly the producers seemed to have viewed her as a gift for mockery:

‘Laugh-In producer George Schlatter, contemplating topics for the new version of the show to be seen on NBC, was quoted recently as noting, "You don't have the war anymore — but you do have Anita Bryant." (from the Tom Shales article on Johnny Carson)

and

"Anita Bryant is a walking punch line." says Laugh-In producer George Schlatter.

Tuesday, 4 March 2008

92: "Rowan and Martin's Laugh-In" and Alan Sues

Alan Sues was a regular performer on the comedy series "Rowan & Martin's Laugh-In" from 1968 until 1972, where Sues played a number of characters as well as “himself”. Alan Sues’s most famous character was "Big Al", a fey and clueless sports anchor who loved ringing his bell which he called his "tinkle." Sues had been in the original 1953 production of “Tea and Sympathy”. He also performed on the cabaret circuit where he was spotted for “Laugh-In”. Big Al was a character from his own nightclub act. In 1969 critic Richard Warren Lewis described Sues as “‘Laugh-In’’s resident pansy”. While never explicitly saying he was gay, Sues employed exaggerated gestures and was known for acting in an intentionally "over the top" effeminate way. Other than “Big Al”, Sues would appear in a number of rather hamfisted mini-sketches where he would ask to hold a male celebrity’s hand, including Ringo Starr and James Garner, and then this being shocking enough to win a laugh, would then disavow it. Other black-out sketches would include the likes of:

A cowboy asking for a dacquiri.
A cop asking a girl if those were his hotpants
Saying to camera: “You know. I think God save the Queen was written for Oscar Wilde”.

(A police officer approaches Sues who is behind the wheels of a convertible)
POLICEMAN: "Okay, okay, buddy, where's the fire?"
ALAN SUES: "In your eyes, officer."

Since I’ve only seen a few brief clips on youtube, I can’t really say much about his performance. He was a surprisingly large man, which sets up an immediate contrast, but from the clips I’ve seen, his seems a rather toned-down sort of nelly or camp. Although on mainstream TV at this time it probably stood out on its own. Really, it’s a rather dull performance and has little lively comparison to real screamers like Kenneth Williams. Or to use an American reference, he’s no Paul Lynde (and apparently Paul Lynde loathed being mistaken for Alan Sues).

In 1970, one year after the Stonewall riots in New York City, the show created the stereotypically effeminate character named Bruce, who was subjected to long strings of anti-gay jokes about gay men and gay liberation. (this from: www.glbtq.com/arts/am_tv_sitcoms,2.html)

In 1979 CBS attempted an unsuccessful American adaptation of “Are You Being Served?”. Sues played the role of Mr Humphries in the 1979 pilot, “Beane's of Boston”.

It’s possible the deliberately over-the top gay stereotype of “Big Gay Al” on “Southpark” may be some sort of tribute to Alan Sues’s Big Al.