282: Anthony Blunt 3

At the beginning of November 1979 Anthony Boyle published “The Climate of Treason”. The book could not explicitly refer to Blunt, but it still raised suspicions that Anthony Blunt was the Fourth Man. That Blunt employed a lawyer to demand that the copy be vetted for any possible references was a disastrous action since it only drew further attention and at last gave reasonable grounds for journalists to make public comment. On 15 November 1979 the Prime Minister, Margaret Thatcher, prompted by questions from a Labour MP, confirmed in the House of Commons that Blunt had been an agent and talent spotter for Russian intelligence. Immediately Buckingham Palace, where Blunt in his capacity as a respected art historian had been employed as personal advisor on art, announced that Blunt’s knighthood was cancelled and annulled. On 20 November 1979 Anthony Blunt gave a wholly unexpected interview to “The Times”, so providing his personal account. Thus the sudden if slightly belated interest in homosexual matters that results in everything below. Comment about commie queers prior to Blunt’s statements might have been a tad libellous. Blunt was rightly vilified across the press, although in the abuse heaped on him there may be some undigested elements of class hatred and homophobia. So what follows is a test of ingenuity as cartoonists and humorists vie for as many ways as possible to spin gags out of the idea that gay = spy


Mac in “Daily Mail”, 19 November 1979

So first off it’s a Russian boyfriend. For an aging civil servant, as Blunt was. Possibly some aspect of the idea we’ve seen before that the civil service is packed with ‘em, that the high-end of the bureaucracy is a veritable boy’s club for well-educated pooves. Although the humour lies in that it’s a phone call from a lover at the most inopportune moment.


Bill Caldwell in “Daily Star”, 20 November 1979

Then it’s a subversion of the previous macho spy stereotype of James Bond. Which we’ve seen Cyril Connolly do already fifteen years earlier. Besides a “Punch” parody from the mid-1970s when someone or other said the intelligence service was stuffed full of homosexuals: “The Spy Who Minced In”, it wa.


JAK in “Evening Standard”, 20 November 1979

As we’ve seen before, when homosexuality is the problem then Jak can be relied upon to turn the situation on its head, replacing the institutionalised homosexual – vicar, sailor, or whatever, with some definite instance of heterosexuality.


Cover to “Private Eye”, 23 November 1979

Can’t you see? Are you blind? It’s a pun – queen, her royal majesty, and queen, homosexual.


Michael Heath in “Private Eye”, 23 November 1979



Michael Heath in “Spectator”, 24 November 1979


Michael Heath in “Spectator”, 19 January 1980

This is Michael Heath’s regular trick of blanket assumptions of equivalency. Both of these assume that anything gay is therefore automatically associated with spying.



Mahood, in “Punch”, 28 November 1979

Assorted suggestive pictures to append speech bubbles to. You’ll notice that two men together in a semi-intimate setting could be either spies conspiring to pass confidential information or else a homosexual clinch. The phrase “fellow traveller” was used to describe the Communist sympathisers who sprang up in England in the 1930s


from “Punch”, 19 December 1979
a spoof article about the events of the 1980s
speech bubble reads “Shut that file!” – a play on Grayson’s catchphrase “Shut that door”.

It was sheer coincidence, but both Larry Grayson, the well-known camp British entertainer and Blunt had the same horse-faced mien. So here the writers employ Grayson’s camp, luvvie tones to retrospectively interpret the scandal of the previous weeks. So some of it is an attack on Grayson’s persona, his behaviour on TV, his treatment of his guests and his limp wrists. There’s also a slight denigration to Blunt in suggesting Grayson was the ideal man to play him. It’s the acceptable face of homosexuality, without hinting at any bedroom shenanigans.




The first 1979 series of “Not the Nine O’Clock News” had a sketch about the Communists and Western forces trading spies at a checkpoint. After the exchange, the camera follows the Russian spymaster leading his English double agent back to Russia. The English spy thanks his spymaster (Mel Smith), and enquires what work he will get in Mother Russia. The spymaster says “Don’t be foolish. No boyfriend of mine works”. So it’s back to the same assumption that any spy must be gay.